ROCK MOMENT – Genesis ‘Turn It On Again’
Genesis’ ‘Turn It On Again’ stands as one of the band’s most inventive and enduring tracks, showcasing their signature blend of progressive rock complexity with pop accessibility. Released in 1980 on the album Duke, the song emerged during a transitional period for the band, as they navigated a shift from extended, multi-part prog compositions toward a more streamlined, radio-friendly approach.
The song’s genesis began in the studio and on the road through a series of jam sessions. Tony Banks, the band’s keyboardist and primary writer of the track, experimented with various chord progressions and rhythmic patterns, seeking a driving groove that felt unconventional yet compelling. The breakthrough came when the band stumbled upon the unusual 13/8 time signature during a jam, creating a sense of tension and propulsion in the verses. Mike Rutherford’s bass and guitar lines were carefully adjusted to lock into this odd rhythm, while Phil Collins honed his drumming to make the complex meter feel natural and energetic. The chorus then resolved into a standard 4/4, giving listeners a familiar and catchy hook after the slightly disorienting verses.
Lyrically, ‘Turn It On Again’ explores obsession and emotional detachment in relationships, with Phil Collins delivering the vocals with both irony and urgency. The combination of lyrical narrative and intricate instrumentation made the song a challenge but also a highlight of live performances. In concert, executing the 13/8 verses required careful coordination, turning the song into a point of pride for the band and a thrilling experience for audiences.
Upon release, the track quickly became a fan favorite, bridging Genesis’ prog-rock origins with their emerging 1980s pop sensibility. Its enduring appeal lies in the band’s ability to experiment boldly—transforming a complex jam-session idea into a polished, emotionally engaging hit. ‘Turn It On Again’ remains a testament to Genesis’ creativity, technical skill, and willingness to push the boundaries of conventional rock songwriting.
