More, More, More Behind The Riffs - Page 2
Keep the Amp Cranked and the Tone Dirty
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“Photograph” – Def Leppard (1983)
You can practically hear the hairspray and see the strobe lights when this one kicks in.  Photograph was the moment Def Leppard went from scrappy British rockers to MTV royalty.
Steve Clark and Pete Willis built the riff on pure pop-metal perfection bright, polished and catchy enough to fill stadiums.  Producer Mutt Lange layered the guitars like a wall of chrome, with every chord ringing like money.  It wasn’t just a song, it was a statement. Rock could be heavy and beautiful.  Metal with makeup.  The riff dances, punches and purrs, all at once.  “We wanted something that hit hard but still sounded huge,” Joe Elliott said.  When that opening lick hits, you’re right back in 1983 denim jacket, beer in hand and nothing but neon ahead.
“Wanted Dead or Alive” – Bon Jovi (1986)
From the heartland to Hollywood, this riff was a battle cry for the working-class cowboy. Richie Sambora’s 12-string acoustic intro sounds like the Old West got wired to a Marshall stack.  It starts slow, like the calm before a barroom brawl, then kicks into overdrive with that galloping rhythm that defined the Slippery When Wet era.  The blend of acoustic and electric guitars gave Bon Jovi their signature balance of grit and glamour.  “It’s about the road — the highs, the lows, the nights you can’t remember,” Jon Bon Jovi said.  Every middle-aged guy who ever drove home from a late gig with the windows down knows exactly how this one feels.
“Cult of Personality” – Living Colour (1988)
By the time Cult of Personality hit, hair metal was starting to fade and Vernon Reid’s riff blew the doors off the scene.  Funk, metal and politics collided in one of the sharpest, fiercest guitar lines of the decade.  Reid’s tone was razor-thin, but lethal, slicing through the mix with surgical precision. That stop-start rhythm?  Instantly addictive.  Those squealing harmonics made it feel like the guitar itself was shouting the lyrics.  “We wanted to make music that meant something, but still crushed,” Reid said.
It wasn’t just another riff, it was a wake-up call. Smart, loud and absolutely feral.
 
								 
								 
								